14 Feb 2026
On February 14, 2026, at Łaźnia Nowa in Kraków, Krzysztof Lachman sings the role of "Alessandro in Poro, re delle Indie" with Capella Cracoviensis, conducted by Alessandro Tampieri. Staged by Marcin Chlanda as part of the Opera Rara season, the production also features Rafał Tomkiewicz in the title role, Dorota Szczepańska as Cleofide, Margarita Slepakova as Erissena, Przemysław Józef Bałka as Timagene, and Franko Klisović as Gandarte. Born in Kraków, Lachman is rapidly establishing himself on the operatic scene and has already won over audiences in his native city, notably in the title role of Rossini’s "Aureliano in Palmira".
12 Feb 2026
Juan Sancho sings the role of Flute in "A Midsummer Night’s Dream" at the Teatro de la Maestranza in Seville, in a production by Laurent Pelly conducted by Corrado Rovaris. The cast also includes Xavier Sabata as Oberon, Rocío Pérez as Tytania, José Luis Sola as Lysander, Heather Lowe as Hermia, Joan Martín-Royo as Demetrius, Aoife Miskelly as Helena, Charlotte Dumartheray as Puck, David Ireland as Bottom, Daniel Noyola as Quince, Thibault de Damas as Snug, Alexander Sprague as Snout, Benjamin Bevan as Starveling, Tomislav Lavoie as Theseus, and Siân Griffiths as Hippolyta. Performances are scheduled for February 12, 14, and 16, 2026. This production marks the first presentation of "A Midsummer Night’s Dream" in the Andalusian town, Juan Sancho’s birthplace Though internationally known for his Baroque and Mozart roles, the Sevillian tenor is also highly appreciated for his interpretations of 20th-century and contemporary repertoire.
04 Feb 2026
Beth Taylor returns to one of her signature roles, Cornelia in "Giulio Cesare in Egitto", for an extensive European tour with Il Pomo d’Oro, conducted by Francesco Corti. Performances take place in Vienna at the Theater an der Wien on February 4; Paris at the Théâtre des Champs-Élysées on February 6; Budapest at the Béla Bartók National Concert Hall on February 8; Amsterdam at the Concertgebouw on February 10; Hamburg at the Elbphilharmonie on February 12; Barcelona at the Palau de la Música Catalana on February 15; Oviedo at the Auditorio Príncipe Felipe on February 17; Madrid at the Teatro Real on February 19 and 21; Warsaw at the Filharmonia Narodowa on February 23 and 25; and Essen at the Philharmonie Essen on February 27. The Scottish mezzo-soprano has made the role of the tragic Cornelia one of her calling cards, singing it at numerous international venues; it also marked her Carnegie Hall debut last May.
03 Feb 2026
On February 3, 2026, at ICE Kraków Congress Centre, Hall S2, Kangmin Justin Kim sings the role of Medoro in George Frideric Handel’s "Orlando" with Capella Cracoviensis, conducted by Thibault Noally. He joins a notable cast that includes Tim Mead in the title role, Joanna Sojka as Angelica, Julia Pliś as Dorinda, and Nicolas Brooymans as Zoroastro. One of today’s leading countertenors, Kangmin Justin Kim is active in Baroque, Classical, and contemporary repertoire, and is especially renowned for his Handel interpretations. His Handel repertoire includes Ruggiero in "Alcina" and Sesto in "Giulio Cesare", roles he has performed at major international venues. He will return to Sesto later this season for his debut at the Zurich Opera House.
29 Jan 2026
On January 29 and 30, 2026, Beth Taylor sings the alto role in Gustav Mahler’s vast, life-affirming, and deeply heartwarming Symphony No. 3 with the Bergen Philharmonic Orchestra, led by Honorary Conductor Edward Gardner. One of today’s foremost Mahler specialists, Beth Taylor recently performed the Third Symphony at the BBC Proms with the BBC National Orchestra of Wales, conducted by Ryan Bancroft.
28 Jan 2026
On January 28, 2026, Juan Sancho stars in the title role of Stefano Landi’s La morte d’Orfeo, a bold 1619 opera that overturns the myth, ending Orpheus’s story in violence rather than redemption, in a dark, gripping early Baroque sound world. Stéphan Fuget leads this one-off concert performance at the helm of the ensemble Les Épopées. Juan Sancho is widely recognized as one of the leading interpreters of Early Music and Baroque repertoire, which includes one of his signature roles, the far more famous Monteverdi L’Orfeo.
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