With her lush, preciously coloured lyric soprano voice, Agnieszka Adamczak is enjoying success in roles such as Fiordiligi in Così fan tutte, Mimì in La bohème, Donna Anna and Donna Elvira in Don Giovanni and Hanna in Straszny dwolyric.
In the 2022/23 season, she appears as Marguerite in Faust at the Opera Nova of Bydogszcz and sings for the first time with the Berliner Philharmoniker and Kirill Petrenkov at the Festspielhaus Baden-Baden and the Berlin Philarmonie, where she performs Stimmes des Falke, 1. Dienerin, 1. Kinderstimme, Hüter der Schwelle and 1. Stimme der Ungeborenen in a new production of Die Frau ohne Schatten.
Recent performances include concerts of Desyatnikov’s The Rite of Winter 1949 with MusicAeterna and Teodor Currentzis in a tour through Russia, a recital at the Warsaw Philharmonic Hall, her debut as Donna Elvira (Don Giovanni) in Oviedo, Mimì in La bohème in Magdeburg, Fiordiligi in Così fan tutte at the Cracow Opera House and the Opera Nova in Bydgoszcz, Donna Anna in a new production of Don Giovanni, Adina in L’elisir d’amore and Jano in Jenufa at the Teatr Wielki in Poznan, Edwige in Offenbach’s Robinson Crusoe in Szczecin, Donna Elvira in Pamplona, Najade in Ariadne auf Naxos at the Zurich Opera House, Hanna in Straszny dwor in Gdansk and London as well as Mimì in Gdansk.
Other highlights include Musetta in La bohème at the Teatro Filarmonico of Verona, Nicolette in L’amour des trois oranges at the Grand Théâtre de Genève, Musetta for Glyndebourne on tour and a concert with Mozart arias at the Aix-en-Provence Festival.
The Polish soprano studied singing at the Paderewski Accademy of Music in Poznan and completed her studies at the Rome opera studio under the guidance of Renata Scotto. As a member of the Zurich International Opera Studio, she was heard in various roles at the Opernhaus Zurich. She participated in masterclasses under the tutelage of Teresa Zylis-Gara and Francisco Araiza.
Agnieszka Adamczak has recorded Poulenc’s Huit Chansons polonaises with Graham Johnson for Hyperion.