Polish soprano Agnieszka Adamczak is enjoying success with her richly coloured lyric soprano voice in roles such as Fiordiligi in Così fan tutte, Mimì in La bohème, Donna Anna and Donna Elvira in Don Giovanni, and Hanna in Moniuszko’s Straszny dwór.

In the 2025/26 season she appears at Wrocław Opera as the title role in Martinů’s Julietta, Susanna in Le nozze di Figaro, and Micaëla in Carmen, and Mimì. She also sings Marguerite in Faust at Opera Nova in Bydgoszcz.

Recent highlights include a recital of music by Richard Strauss with members of the Berliner Philharmoniker at the Osterfestspiele Baden-Baden, where she also appeared in a new production of Strauss’s Die Frau ohne Schatten as Stimme des Falken, 1. Dienerin, 1. Kinderstimme, Hüter der Schwelle and 1. Stimme der Ungeborenen under the baton of Kirill Petrenko. She has also performed in concerts of Leonid Desyatnikov’s The Rite of Winter 1949 with MusicAeterna under Teodor Currentzis, as well as in recital at the Warsaw Philharmonic and in Franck’s Requiem with the Poznań Philharmonic.

Her operatic engagements have taken her to many international stages, including her debut as Donna Elvira (Don Giovanni) in Oviedo; Musetta in La bohème at the Teatro Filarmonico in Verona and on Glyndebourne on Tour; Najade in Ariadne auf Naxos at Opernhaus Zürich, Nicolette in L’amour des trois oranges at the Grand Théâtre de Genève; and a concert of Mozart arias at the Festival d’Aix-en-Provence. Further appearances include Mimì in Magdeburg and Gdańsk, Fiordiligi in Così fan tutte at the Kraków Opera and Opera Nova in Bydgoszcz, Donna Anna in a new production of Don Giovanni, Adina in L’elisir d’amore, and Jano in Jenůfa at Teatr Wielki in Poznań, Edwige in Offenbach’s Robinson Crusoe in Szczecin, Donna Elvira in Pamplona, and Hanna in Straszny dwór in Gdańsk and London.

Agnieszka Adamczak studied singing at the Paderewski Academy of Music in Poznań and completed her training at the Opera Studio in Rome under the guidance of Renata Scotto. As a member of the International Opera Studio at Opernhaus Zürich, she appeared in numerous productions of the house. She has also participated in masterclasses with Teresa Żylis-Gara and Francisco Araiza.

Her discography includes Poulenc’s Huit Chansons polonaises with Graham Johnson for Hyperion.

March 2026